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Art Movements, Protest Lineage, and Why This Work Exists
Political art has never been ornamental. At its best, it has functioned as logistics, memory, and coordination — a parallel system of communication when official systems fail or turn hostile. From the hand-printed posters of the U.S. Civil Rights era, to anti-apartheid graphics in South Africa, to the silk-screened iconography of May ’68 in Paris, visual language has repeatedly done three things movements require:signal alignment, create cohesion, and make resistance visible at scale. In the 1950s and 1960s, civil rights organizers did not treat posters, buttons, and printed materials as accessories. They were how people recognized one another. How messages traveled when mass media refused to carry them. How collective identity [...]
EXECUTIVE–WORKER PAY ALIGNMENT ACT
SUMMARY Executive–Worker Pay Alignment Act The Executive–Worker Pay Alignment Act aligns increases in executive compensation with wage growth for workers at large employers. When a company increases total compensation for its highly paid executives, worker wages must increase by the same percentage during the same fiscal year. If executive compensation does not increase, the Act does not apply. The Act does not set wages, mandate bonuses, or cap executive pay outright. It targets a specific driver of wage disparity: raising executive pay while leaving workers out. Executive compensation is treated as a connected system, preventing evasion through re-labeling, new executive hires at higher rates, equity restructuring, or compensation paid through affiliates. [...]
Executive Order – Enforcement and Recovery of Unlawful Self-Enrichment from Public Office (Speculative)
SUMMARY January 20, 2029 President Orders Enforcement and Recovery of Unlawful Self-Enrichment from Public Office Today, the President signed an Executive Order directing the identification, disclosure, and recovery of profits derived from the misuse of public office for personal enrichment. The Order affirms that federal officials have always held office as fiduciaries of the public, and that personal profits obtained through licensing, branding, naming rights, or similar arrangements tied to official authority were never lawful. The Order instructs federal agencies to enforce existing ethics, forfeiture, and unjust enrichment laws to recover improperly obtained funds for the public treasury. It clarifies ethical obligations long recognized in law and tradition, and restores the [...]
Queens Is the New Brooklyn
Brooklyn used to be where artists went because it was cheap, flexible, and unpoliced. That version of Brooklyn is gone. What’s left is a real-estate brand with a cultural afterimage—galleries designed around sales, neighborhoods shaped by marketing decks, and an art scene that feels increasingly managed. Queens is where the work actually happens now. You can see it across the borough—in Ridgewood, Sunnyside, Forest Hills, Astoria, and Long Island City—not because there’s a single “scene,” but because artists here are still allowed to work without being pushed into a look, a market, or a lane. Queens hasn’t flattened itself into a style. It doesn’t need to. That range showed up clearly [...]
Resist Flower™: How Art Funds the March—and Strenghtens the Movement
Resist Flower™: How Art Funds the March—and Builds the Movement Resist Flower™ began as an image, not a fundraising plan. A simple visual gesture: a flower that refuses to wilt. A form that looks gentle at first glance, then insists on staying. Over time, it became something more than an artwork. It became a shared symbol—one that people recognized, carried, wore, and returned to. And now, it has become one of the ways we are materially supporting the next march. This matters, because movements don’t run on inspiration alone. They require permits, printing, transportation, materials, accessibility accommodations, food for volunteers, sound systems, legal support, and contingency planning. None of that is [...]
Art Builds Communities
Art does not arrive fully formed. It is built—collectively, physically, in shared space. Before it appears on a street or in a march, it appears in conversation, in planning sessions, in rooms where people cut, paint, argue, revise, and keep going. This process is not secondary to the work. It is the work. Community is strengthened not only by what art represents, but by how it is made. An art build gathers people who might not otherwise meet. It gives them a common task, a shared visual language, and a reason to stay in the room together long enough for trust to form. The result is more than objects. It is [...]
Art as Power
Art is a form of power that operates through images rather than decree. It shapes perception, organizes memory, and gives structure to experiences that resist easy narration. Long before it persuades, art reorients: it trains attention, alters scale, and determines what is allowed to remain visible. My own work begins from this premise. Images are not neutral, and symbols are never incidental. They accumulate meaning through repetition, circulation, and use—through being carried, held, worn, or encountered unexpectedly. Over time, certain forms insist on returning. A flower becomes a sign of refusal rather than ornament. A future date becomes a horizon rather than a prediction. These are not abstractions; they are working [...]