SPORTS INJURIES LAWYER
- When you play sports you “assume the risk” that you may be injured by the “inherent risks of the sport.” A sports injuries lawyer can explain how this relates to your particular sport.
- In order to sue for a sports injuries, it is necessary to prove that somebody else’s negligence or recklessness caused the injury. An experienced sports injuries lawyer will know right away based on the facts at hand.
- For children, it could be that the coach, school or camp did not provide proper safety equipment, this claim would be more difficult for an adult, who would have to prove that they were not aware of the need for the equipment.
- Improper supervision is a claim for a child, but not an adult.
- For beginners of a sport at any age, lack of safety advice and improper coaching can give rise to a claim. A sports injuries lawyer knows what types of advice and coaching are appropriate for various sports.
- A manufacturing defect in safety can give rise to a claim for product liability for a child or an adult. An experienced sports injuries lawyer can research recalls and defects in equipment for you.
- Premises liability rests with owners of sporting fields and schools, who are liable for unsafe playing areas and for the conduct of their staff.
If you suspect that your sports injury may have been caused by negligence or recklessness, a free consultation with a sports injuries lawyer will help you sort this out. At Sports Injuries Lawyer, Wittenstein & Wittenstein, we’ve been helping injured people for more than 60 years. Please don’t hesitate to call if you think you might have a claim.
Queens Is the New Brooklyn
Brooklyn used to be where artists went because it was cheap, flexible, and unpoliced. That version of Brooklyn is gone. What’s left is a real-estate brand with a cultural afterimage—galleries designed around sales, neighborhoods shaped by marketing decks, and an art scene that feels increasingly managed. Queens is where the work actually happens now. You can see it across the borough—in Ridgewood, Sunnyside, Forest Hills, Astoria, and Long Island City—not because there’s a single “scene,” but because artists here are still allowed to work without being pushed into a look, a market, or a lane. Queens hasn’t flattened itself into a style. It doesn’t need to. That range showed up clearly at the Queens Says [...]
Resist Flower™: How Art Funds the March—and Strenghtens the Movement
Resist Flower™: How Art Funds the March—and Builds the Movement Resist Flower™ began as an image, not a fundraising plan. A simple visual gesture: a flower that refuses to wilt. A form that looks gentle at first glance, then insists on staying. Over time, it became something more than an artwork. It became a shared symbol—one that people recognized, carried, wore, and returned to. And now, it has become one of the ways we are materially supporting the next march. This matters, because movements don’t run on inspiration alone. They require permits, printing, transportation, materials, accessibility accommodations, food for volunteers, sound systems, legal support, and contingency planning. None of that is glamorous, but all of [...]
Art Builds Communities
Art does not arrive fully formed. It is built—collectively, physically, in shared space. Before it appears on a street or in a march, it appears in conversation, in planning sessions, in rooms where people cut, paint, argue, revise, and keep going. This process is not secondary to the work. It is the work. Community is strengthened not only by what art represents, but by how it is made. An art build gathers people who might not otherwise meet. It gives them a common task, a shared visual language, and a reason to stay in the room together long enough for trust to form. The result is more than objects. It is continuity. In preparation for [...]
Art as Power
Art is a form of power that operates through images rather than decree. It shapes perception, organizes memory, and gives structure to experiences that resist easy narration. Long before it persuades, art reorients: it trains attention, alters scale, and determines what is allowed to remain visible. My own work begins from this premise. Images are not neutral, and symbols are never incidental. They accumulate meaning through repetition, circulation, and use—through being carried, held, worn, or encountered unexpectedly. Over time, certain forms insist on returning. A flower becomes a sign of refusal rather than ornament. A future date becomes a horizon rather than a prediction. These are not abstractions; they are working tools. Throughout history, images [...]
Executive Order – Jan 6 (Speculative)
SUMMARY January 20, 2029 President Orders Preservation and Public Access to the Historical Record of the January 6 Attack on American Democracy Today, the President signed an Executive Order directing the preservation, organization, and lawful public accessibility of the historical and judicial record related to the January 6, 2021 attack on the United States Capitol. The Order affirms that while presidential pardons resolve criminal liability, they do not erase historical facts, judicial findings, or the public record. The initiative is designed to safeguard democratic memory, ensure transparency, and support civic education—without imposing punishment, stigma, or retaliation against any individual. PRESS RELEASE FOR IMMEDIATE RELEASEJanuary 20, 2029 President Signs Executive Order to Preserve January 6 Historical [...]
Executive Order – East Wing Restoration (Speculative)
SUMMARY January 20, 2029 President Orders Removal of Unauthorized State Ballroom and Restoration of the White House East Wing Today, the President signed an Executive Order directing the complete demolition of the recently completed White House State Ballroom and the reconstruction of the historic East Wing. The order restores essential presidential, public, and security functions eliminated by the East Wing’s demolition and affirms that the White House is a national trust held for institutional continuity—not personal legacy. © 2025 Alyce Wittenstein. All Rights Reserved. Project 2029 and all associated text, structure, and policy formulations are original copyrighted works. No portion may be reproduced, adapted, translated, or distributed without express written permission, except for brief quotations [...]