SPORTS INJURIES LAWYER
- When you play sports you “assume the risk” that you may be injured by the “inherent risks of the sport.” A sports injuries lawyer can explain how this relates to your particular sport.
- In order to sue for a sports injuries, it is necessary to prove that somebody else’s negligence or recklessness caused the injury. An experienced sports injuries lawyer will know right away based on the facts at hand.
- For children, it could be that the coach, school or camp did not provide proper safety equipment, this claim would be more difficult for an adult, who would have to prove that they were not aware of the need for the equipment.
- Improper supervision is a claim for a child, but not an adult.
- For beginners of a sport at any age, lack of safety advice and improper coaching can give rise to a claim. A sports injuries lawyer knows what types of advice and coaching are appropriate for various sports.
- A manufacturing defect in safety can give rise to a claim for product liability for a child or an adult. An experienced sports injuries lawyer can research recalls and defects in equipment for you.
- Premises liability rests with owners of sporting fields and schools, who are liable for unsafe playing areas and for the conduct of their staff.
If you suspect that your sports injury may have been caused by negligence or recklessness, a free consultation with a sports injuries lawyer will help you sort this out. At Sports Injuries Lawyer, Wittenstein & Wittenstein, we’ve been helping injured people for more than 60 years. Please don’t hesitate to call if you think you might have a claim.
Reject the Evidence of Your Eyes and Ears: Orwell’s 1984, Trump, ICE, and the Loyalty Test of Fascism
George Orwell’s 1984 warned that authoritarian power ultimately demands one thing above all else: loyalty proven by denying reality itself. That warning is no longer abstract. From January 6 to the killing of Nicole Good by ICE, Americans are being asked to reject what they can plainly see and hear—and to treat that denial as a civic duty. “The party told you to reject the evidence of your eyes and ears. It was their final, most essential command.”—George Orwell, 1984 The second sentence is the point. Orwell was not describing secret propaganda or subtle mind control. He was describing a system in which truth becomes subordinate to loyalty. Once people can be trained to say [...]
Queens Says No Kings: The Making of a Queens-Wide Resistance Coalition
Queens Says No Kings is a Queens-based activist coalition formed in late 2024 in direct response to the reelection of Donald Trump. From the beginning, it brought together leaders of existing Queens activist groups who understood that the political moment demanded coordination across neighborhoods and organizations, not isolated actions. What followed was not a smooth or linear process, but a sequence of actions, leadership transitions, and creative breakthroughs that reshaped how large-scale resistance organizing took form in Queens. Formation: Stop the Steal for Real (Late 2024) The coalition began in late 2024 under its original working name, Stop the Steal for Real. The name reflected a clear rejection of authoritarian narratives and a commitment to [...]
Community Is Not a Brand — It’s a Practice
Community doesn’t appear fully formed. It’s built through repetition, trust, and showing up when it would be easier not to. In Queens, community work rarely announces itself as something grand. It looks like folding tables carried out early in the morning. It looks like hand-lettered signs drying on the floor. It looks like people learning each other’s names slowly, sometimes awkwardly, over weeks and months. It looks like neighbors deciding that the conditions they’re living under are not inevitable — and that they’re willing to do something together. That kind of community doesn’t come from aesthetics or slogans. It comes from practice. Place Matters Community organizing is always shaped by where it happens. Queens is [...]
What Is an Art Build?
How Art Builds Strengthen Protest Movements Through Visual Language An art build is a gathering that happens before a protest, march, or rally to create large-scale, coordinated visual elements that will be deployed together in public space. Rather than focusing on a single object, an art build brings people together to construct a shared visual language—one that can hold across streets, crowds, architecture, and cameras. Some kinds of political expression can’t be made by one person, at one table, in one afternoon; they require planning, shared labor, and agreement about how a movement wants to appear when it shows up. Art builds are a core practice in contemporary protest movements, especially in New York City, [...]
Queens, Brooklyn, and the Geography of Resistance Art
Art movements are shaped by geography — not just aesthetics. For decades, Brooklyn functioned as New York’s shorthand for experimental political art. That reputation was earned. Poster workshops, print collectives, underground presses, and radical galleries played a real role in anti-war organizing, labor movements, and later global justice actions. But movements migrate. Queens is where political art now intersects most directly with lived conditions. It is where organizers, immigrants, students, workers, and artists share space without insulation. The art is less polished, less ironic, and more accountable to consequence. That shift mirrors global patterns. In cities worldwide, the most effective protest art emerges not from cultural centers, but from pressure points — places where policy [...]
Art Movements, Protest Lineage, and Why This Work Exists
Political art has never been ornamental. At its best, it has functioned as logistics, memory, and coordination — a parallel system of communication when official systems fail or turn hostile. From the hand-printed posters of the U.S. Civil Rights era, to anti-apartheid graphics in South Africa, to the silk-screened iconography of May ’68 in Paris, visual language has repeatedly done three things movements require:signal alignment, create cohesion, and make resistance visible at scale. In the 1950s and 1960s, civil rights organizers did not treat posters, buttons, and printed materials as accessories. They were how people recognized one another. How messages traveled when mass media refused to carry them. How collective identity took shape across neighborhoods [...]