BURN INJURIES

NEW YORK CITY BURN INJURIES ATTORNEY

NEW YORK CITY BURN INJURIES ATTORNEY

Burns can be caused by negligence in many different ways.  Here are some examples:

Treatment for burns has improved greatly in recent years.  There are many ways that pain can be reduced and cosmetic results can be improved, but these treatments are very expensive.  If you are a victim of a burn injury that was caused by negligence you need an attorney to help get your medical bills paid to collect the maximum compensation possible for your pain and suffering.   The best way to do this is with the help of an experienced New York City burn injuries attorney.

Burns in Traffic Accidents

With any heavy collision between Motor Vehicles, the possibility of a fire or explosion exists.  If you are able, you should get out of the vehicle as soon as possible after an accident. Fires and explosions can cause severe burns which could require reconstructive surgery, skin grafts or even cause death.  An experienced New York City burn injuries attorney will know how to make a case for compensation.

Burns in Motorcycle Accidents

Motorcycle riders have little no protection from burns caused by gasoline spills.  They can also sustain burns from coming into contact with motorcycle parts that are very hot after an impact.  Sometimes a mechanical defect causes motorcycle parts to overheat causing burns.

Other Types of Burn Accidents

Burns can be caused by Defective, Malfunctioning or Misused:

  • Room Heaters
  • Outlets
  • Electrical Wiring
  • Cooking Equipment
  • Tanning Beds
  • Cosmetic Treatments
  • Hair Coloring

Types of Burns

  • Thermal burns – caused by contact with fire, steam, hot liquids, or other sources of extreme heat
  • Light burns – caused by  sunlight or ultraviolet light
  • Chemical burns – caused by an acid, alkali, or chemical explosion
  • Radiation burns – caused by contact with nuclear radiation

Degrees of Burns

  • First-Degree Burns – These are minor burns where only the outer layer of skin is impacted.  They can be painful, but usually heal completely in a few days. Sunburn, without blistering, is a first degree burn.
  • Second Degree Burns – There are two types of second degree burns.
    • Partial thickness burns usually look red and may have blisters.  There is damage to both the outer layer of skin (epidermis) and most of the dermis underneath.  Healing usually takes a couple of weeks.
    • Full thickness burns may be white or red and look dry.  There could be a loss of sensation in the affected area.  This type of burn may require a skin graft.
  • Third Degree Burns – This is a very serious type of burn because every layer of the skin is impacted.  They can be black or white, and can look “leathery.” The nerves of the skin are so badly damaged that there may be no sensation at the site of the burn.  Skin grafts will be required and there will be severe scarring.
  • Fourth Degree Burns – These are burns that destroy not just skin, but the muscles and bone underneath.  These burns are often fatal, and survivors need to undergo substantial skin grafting and other life-saving treatments.
  • Fifth and Sixth Degree Burns — These burns cause massive destruction to skin, muscle, ligaments, tendons and bones.  They are almost always fatal.

If you have suffered a burn due to somebody else’s negligence, you need an experienced Personal Injury Attorney to fight for your rights.  At Wittenstein & Wittenstein, we’ve been helped burn injury victims for more than 60 years. If you live in New York City (Queens, Brooklyn, Manhattan, The Bronx, Staten Island) or in Nassau County, Long Island, please call us for a FREE CONSULTATION at 718-261-8114.  The grandchildren of our clients come to us because they know we will take great care of them, and we’ll take great care of you, too. We’ll make sure your medical bills are paid, your lost earnings are collected, your out of pocket expenses are reimbursed and will get you the maximum amount of compensation for your pain and suffering.  Give us a call. You’ll be glad you did.

NEW YORK CITY BURN INJURIES ATTORNEY

Reject the Evidence of Your Eyes and Ears: Orwell’s 1984, Trump, ICE, and the Loyalty Test of Fascism

George Orwell’s 1984 warned that authoritarian power ultimately demands one thing above all else: loyalty proven by denying reality itself. That warning is no longer abstract. From January 6 to the killing of Nicole Good by ICE, Americans are being asked to reject what they can plainly see and hear—and to treat that denial as a civic duty. “The party told you to reject the evidence of your eyes and ears. It was their final, most essential command.”—George Orwell, 1984 The second sentence is the point. Orwell was not describing secret propaganda or subtle mind control. He was describing a system in which truth becomes subordinate to loyalty. Once people can be trained to [...]

Queens Says No Kings: The Making of a Queens-Wide Resistance Coalition

Queens Says No Kings is a Queens-based activist coalition formed in late 2024 in direct response to the reelection of Donald Trump. From the beginning, it brought together leaders of existing Queens activist groups who understood that the political moment demanded coordination across neighborhoods and organizations, not isolated actions. What followed was not a smooth or linear process, but a sequence of actions, leadership transitions, and creative breakthroughs that reshaped how large-scale resistance organizing took form in Queens. Formation: Stop the Steal for Real (Late 2024) The coalition began in late 2024 under its original working name, Stop the Steal for Real. The name reflected a clear rejection of authoritarian narratives and a commitment [...]

What Is an Art Build?

How Art Builds Strengthen Protest Movements Through Visual Language An art build is a gathering that happens before a protest, march, or rally to create large-scale, coordinated visual elements that will be deployed together in public space. Rather than focusing on a single object, an art build brings people together to construct a shared visual language—one that can hold across streets, crowds, architecture, and cameras. Some kinds of political expression can’t be made by one person, at one table, in one afternoon; they require planning, shared labor, and agreement about how a movement wants to appear when it shows up. Art builds are a core practice in contemporary protest movements, especially in New York [...]

Queens, Brooklyn, and the Geography of Resistance Art

Art movements are shaped by geography — not just aesthetics. For decades, Brooklyn functioned as New York’s shorthand for experimental political art. That reputation was earned. Poster workshops, print collectives, underground presses, and radical galleries played a real role in anti-war organizing, labor movements, and later global justice actions. But movements migrate. Queens is where political art now intersects most directly with lived conditions. It is where organizers, immigrants, students, workers, and artists share space without insulation. The art is less polished, less ironic, and more accountable to consequence. That shift mirrors global patterns. In cities worldwide, the most effective protest art emerges not from cultural centers, but from pressure points — places where [...]

Art Movements, Protest Lineage, and Why This Work Exists

Political art has never been ornamental. At its best, it has functioned as logistics, memory, and coordination — a parallel system of communication when official systems fail or turn hostile. From the hand-printed posters of the U.S. Civil Rights era, to anti-apartheid graphics in South Africa, to the silk-screened iconography of May ’68 in Paris, visual language has repeatedly done three things movements require:signal alignment, create cohesion, and make resistance visible at scale. In the 1950s and 1960s, civil rights organizers did not treat posters, buttons, and printed materials as accessories. They were how people recognized one another. How messages traveled when mass media refused to carry them. How collective identity took shape across [...]

EXECUTIVE–WORKER PAY ALIGNMENT ACT

SUMMARY Executive–Worker Pay Alignment Act The Executive–Worker Pay Alignment Act aligns increases in executive compensation with wage growth for workers at large employers. When a company increases total compensation for its highly paid executives, worker wages must increase by the same percentage during the same fiscal year. If executive compensation does not increase, the Act does not apply. The Act does not set wages, mandate bonuses, or cap executive pay outright. It targets a specific driver of wage disparity: raising executive pay while leaving workers out. Executive compensation is treated as a connected system, preventing evasion through re-labeling, new executive hires at higher rates, equity restructuring, or compensation paid through affiliates. PRESS RELEASE FOR [...]